“The Storyteller’s Dilemma” – AVID CEO tells us what’s wrong with the creative economy and how we can fix it

The subtitle of “The Storyteller’s Dilemma” by Louis Hernandez Jr. (Hal Leonard Books 2017) is “Overcoming the Challenges In the Digital Media Age.” What Mr. Hernandez refers to as challenges are existential threats to middle-class musicians and creators across media, and he illustrates them clearly in these statistics: Between 2005 and 2015, the annual rate […]

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I found cool ways to use archival audio in new recordings at Folk Alliance

It’s almost impossible to sum up all that makes up Folk Alliance International. If you’ve been there before, you understand. It was my first year attending, and after years of hearing stories, I thought I was prepared. Folk Alliance is part family reunion, part party, part education, and an exploration of every nook and cranny […]

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What the NAMM Show tells me about our industry

A couple weeks ago I attended my very first NAMM (National Association of Music Merchants) show. It won’t be my last. I’ve been faithfully going to AES Conventions since I joined in 1975, but not to NAMM. In the audio production community, we’ve gotten used to the AES shows – along with the rest of […]

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Meet your music heroes in the NAMM Oral History Project

A visit to Leon Russell’s home studio led Lenise Bent to abandon film and become a recording engineer, starting at Village Recorders in the mid-70s. George Gruhn’s interest in the way old guitars were built led to his landmark “Guide to Vintage Guitars” and the transformation of used instruments into vintage guitars of great value. […]

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What you should know about the new recommendations on high res audio

Anyone working in music production today can benefit from the Producers and Engineers Wing of the Recording Academy’s latest effort, “Recommendations for Hi Resolution Music Production.” This 40-page document outlines best practices for recording, mixing, mastering and delivering high resolution audio files for consumers. Benefits for artists and audiences The most obvious beneift is the […]

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MIX Magazine profiles Boulder studio

Barbara Schultz of Mix captured the feel of the new Boulder location in her December article about Dave, Anna and the new room. She queried Sam Berkow about the specific challenges associated with taming frequencies in the (slightly) smaller room size chosen for the new studio. We’re thrilled with all the interest shown this year […]

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“SonicScoop” gets inside the new Boulder studio

David Weiss of SonicScoop dug deep into David Glasser’s and Anna Frick’s mastering approaches, and how the new Boulder studio build supports them. Here’s the link to the story: SonicScoop Nov 28 2016 While you’re there, sign up for the newsletter. The range and quality of gear reviews, op-ed, and tutorials is impressive!

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Happy 33-1/3 Birthday to Us!

The official studio warming of the new Boulder Airshow coincided with Airshow’s 33-1/3 anniversary. David Glasser founded Airshow in spring 1983 to do live recording for broadcast (hence air + show; now you know). The very first Airshow studio was in a basement, like many studio startups. In 1990, David graduated to a purpose-built room […]

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