Restoring “The Rise and Fall of Paramount Records”

By David Glasser, Airshow Founder and Chief Engineer Airshow received a call from Dean Blackwood of Revenant Records in January, 2013. We last worked with Revenant over ten years ago on the Grammy-winning “Screamin’ and Hollerin’ the Blues: The Worlds of Charley Patton,” and prior to that on projects by Captain Beefheart, the Stanley Brothers, […]

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Surround mastering: The Grateful Dead’s “Sunshine Daydream”

On August 1st moviegoers will be able to see a film that Grateful Dead fans have been eagerly awaiting for decades. Though it’s long-circulated as a bootleg, Sunshine Daydream is finally getting the official release it deserves. The film is a documentary of a Grateful Dead concert from August 27, 1972 that was a benefit […]

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Is it Time to Rethink Your Master Parts Order?

Many recordings are released these days in several formats – CD, downloads in multiple resolutions and file formats, LP’s, and streaming. While the CD master at 16-bit/44.1 kHz resolution remains the most useful master format, one master does not fit all! With the growth of DIY digital sales platforms and Apple’s Mastered for iTunes (MFiT) […]

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Analog Tape Series, Part 3: Studio Settings and Collaboration

Setting Up Your Studio to Work Efficiently for Tape Recording Now that you have your tape deck and have completed the basic maintenance on it you can take a look at the gain-staging of your whole recording setup. Most professional studio equipment is designed to operate at a nominal +4dBu; when a VU meter on your tape deck or […]

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Analog Tape Series, Part 1: What to Know Before You Buy

Over the last couple years, I’ve had a remarkable number of projects come through my mastering studio originating on tape. Some of these projects involve restoration on past work of notable artists including the Grateful Dead and Doc Watson, but many are new recordings by artists intrigued by the unique quality of analog sound and […]

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