NARAS Visits CO

SF Chapter team shines spotlight on Front Range music scene with two events 10/28, 10/29 Those “for your consideration” emails are starting to fill the in-boxes, so we know it’s GRAMMY season. The first round of balloting began in October. Those wondering about the multi-step voting process that leads to the awards shows will find […]

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How Airshow Remastered the Grateful Dead Studio Albums

By David Glasser, Airshow Founder and Chief Engineer Any fan of the Grateful Dead would be thrilled – and a little nervous – if asked to remaster some of the best-known studio recordings of the past 45 years. Workingman’s Dead was my first real (and lasting) introduction to the band, and I wanted to be sure […]

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Restoring “The Rise and Fall of Paramount Records”

By David Glasser, Airshow Founder and Chief Engineer Airshow received a call from Dean Blackwood of Revenant Records in January, 2013. We last worked with Revenant over ten years ago on the Grammy-winning “Screamin’ and Hollerin’ the Blues: The Worlds of Charley Patton,” and prior to that on projects by Captain Beefheart, the Stanley Brothers, […]

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Surround mastering: The Grateful Dead’s “Sunshine Daydream”

On August 1st moviegoers will be able to see a film that Grateful Dead fans have been eagerly awaiting for decades. Though it’s long-circulated as a bootleg, Sunshine Daydream is finally getting the official release it deserves. The film is a documentary of a Grateful Dead concert from August 27, 1972 that was a benefit […]

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Is it Time to Rethink Your Master Parts Order?

Many recordings are released these days in several formats – CD, downloads in multiple resolutions and file formats, LP’s, and streaming. While the CD master at 16-bit/44.1 kHz resolution remains the most useful master format, one master does not fit all! With the growth of DIY digital sales platforms and Apple’s Mastered for iTunes (MFiT) […]

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Why Book a Listening Session Before Mastering Your New Project

A listening session with your mastering engineer before mastering is a critical step in finishing your project. You can address potential sonic concerns and make sure you and your engineer are on the same creative wavelength. You are welcome to attend your listening session. You and your engineer will listen to your mixes on a […]

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Analog Tape Series, Part 3: Studio Settings and Collaboration

Setting Up Your Studio to Work Efficiently for Tape Recording Now that you have your tape deck and have completed the basic maintenance on it you can take a look at the gain-staging of your whole recording setup. Most professional studio equipment is designed to operate at a nominal +4dBu; when a VU meter on your tape deck or […]

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