You’re Not Alone – Millions of Analog Audio Recordings Await Digitization

Report from ARSC – Everybody Has Something Ann Blonston represented Airshow’s Restoration Center at the 2015 ARSC conference in Pittsburgh in late May. She describes the event as a entertaining mash-up of archive professionals and obsessive collectors. In these modern times, we have hundreds of thousands of recorded media items available to be listened to […]

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Dave Glasser Spots Positive Trends at AES

I returned from the annual AES (Audio Engineering Society) Convention in Los Angeles, held there after a 12-year hiatus. (AES has dropped San Francisco as a west coast convention site.) I love San Francisco, but it was great to be back in LA where so much of the music, film, and recording industry is based. […]

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Analog Tape Series, Part 3: Studio Settings and Collaboration

Setting Up Your Studio to Work Efficiently for Tape Recording Now that you have your tape deck and have completed the basic maintenance on it you can take a look at the gain-staging of your whole recording setup. Most professional studio equipment is designed to operate at a nominal +4dBu; when a VU meter on your tape deck or […]

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Analog Tape Series, Part 1: What to Know Before You Buy

Over the last couple years, I’ve had a remarkable number of projects come through my mastering studio originating on tape. Some of these projects involve restoration on past work of notable artists including the Grateful Dead and Doc Watson, but many are new recordings by artists intrigued by the unique quality of analog sound and […]

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